1
Faded Snapshots of Kyoto.
Below us
The city seethes in heat
Here
Within the temple garden
Even the sound of water is banished
Wavelets of grey sand brush
The ancient rocks
------------------------------------
2
Sombre Winter Poem.
Bowl
White water reflecting
A fractured smile
On the grass
Frost settles
Untrodden
How many winter moons to wait
Before your fingers press unbidden
The glass door
--------------------------
3
Late November.
The mush of autumn clings to my shoes
leaf mould mixed with broken feathers.
I scrape my heal as I enter the house,
Reality belongs outside.
The trees suddenly are skeletons
Scratching a white sky -
Summer is long gone.
Must I grow old before the Lark returns?
Never mind. I have planted a hundred
Spring bulbs.
Trevor John Karsavin Potter.
20th. November 2012. - 23rd. November 2012.- 26th. November 2012.
Friday, 23 November 2012
Monday, 19 November 2012
Willow Pattern.
I am this shadow
You cannot hold me
Only observe the outline
Transformed into birds
We soar high above the arched bridge
Into the white sky
Briefly our song is heard
Among the Weeping Willows
The huntsman skims a stone upon the water
To shatter a fleeting image
But his aim is faulty
We have already flown far and wide
Out of reach
Later in another country
Transformed into our former selves
We sip green tea together
The simplicity of the ceremony
Instils a profound peace
Holding hands in the dark
The certainty of our love feels stronger
Than the rocks that make up the mountains
Trevor John Karsavin Potter
19th. November 2012. The first three lines written 22nd. August 1972.
You cannot hold me
Only observe the outline
Transformed into birds
We soar high above the arched bridge
Into the white sky
Briefly our song is heard
Among the Weeping Willows
The huntsman skims a stone upon the water
To shatter a fleeting image
But his aim is faulty
We have already flown far and wide
Out of reach
Later in another country
Transformed into our former selves
We sip green tea together
The simplicity of the ceremony
Instils a profound peace
Holding hands in the dark
The certainty of our love feels stronger
Than the rocks that make up the mountains
Trevor John Karsavin Potter
19th. November 2012. The first three lines written 22nd. August 1972.
Thursday, 15 November 2012
3 Poems. A Slip In Time. / Clown Portrait./ Dusk Mood.
1.
A Slip In Time.
I`ve revamped my space to corner some elbow room,
From convenience living to a cottage kitchen,
Eighteenth century at least.
Irregular flowers lean out of cut glass vases.
A sluggish wasp head butts the window pane.
Our household cat shunts her primeval memory,
Sometimes the weight is light,
Sometimes it weighs her down.
She misses the wasp by the breadth of a feline whisker,
A slip in time saves nine.
I prepare my frugal supper.
The potatoes are all home grown, likewise the peas.
I have adopted the simplicity of an earlier era.
But the computer remains on the table, squat and grey.
A virtual world packed into a plastic pod,
It helps me to complete my skittish poems.
A key is pressed, my space becomes a sanctuary,
Each little room a compact universe.
What can be gained if privacy is lost?
---------------------------------------
2.
Clown Portrait.
You requested a picture?
I have painted it.
My Clown smiles happily down
From off the back room wall
In a scintillating splatter of colour.
He certainly maketh my day
And therefore I hope that soon
He shall be making your day also,
Out shinning your Braque and Picasso;
(Don`t forget that tiny Kandinsky,
Humour always wins the day).
Meanwhile I can only wait
Until rejoicing I hear once more
The chimes of your voice ringing sweetly into the hallway
As you enter the quiet house.
--------------------------------------------
3.
Dusk Mood.
The midday heat burns your delicate beauty
You sit in the shadows waiting for the light to fail
I always walk out in the evenings
The air so pure blessing the sulphor day
Of cracked images
With a cool cure
Of patient resurrections
Hold my arm my love
We`ll doff our caps to the swans
Curling their necks from the sun
Closing their wings
Trevor John Karsavin Potter.
(1) October 22nd. - December 1st. 2012. (2) November 15th. 2012. (3) July 1st. 1965.
A Slip In Time.
I`ve revamped my space to corner some elbow room,
From convenience living to a cottage kitchen,
Eighteenth century at least.
Irregular flowers lean out of cut glass vases.
A sluggish wasp head butts the window pane.
Our household cat shunts her primeval memory,
Sometimes the weight is light,
Sometimes it weighs her down.
She misses the wasp by the breadth of a feline whisker,
A slip in time saves nine.
I prepare my frugal supper.
The potatoes are all home grown, likewise the peas.
I have adopted the simplicity of an earlier era.
But the computer remains on the table, squat and grey.
A virtual world packed into a plastic pod,
It helps me to complete my skittish poems.
A key is pressed, my space becomes a sanctuary,
Each little room a compact universe.
What can be gained if privacy is lost?
---------------------------------------
2.
Clown Portrait.
You requested a picture?
I have painted it.
My Clown smiles happily down
From off the back room wall
In a scintillating splatter of colour.
He certainly maketh my day
And therefore I hope that soon
He shall be making your day also,
Out shinning your Braque and Picasso;
(Don`t forget that tiny Kandinsky,
Humour always wins the day).
Meanwhile I can only wait
Until rejoicing I hear once more
The chimes of your voice ringing sweetly into the hallway
As you enter the quiet house.
--------------------------------------------
3.
Dusk Mood.
The midday heat burns your delicate beauty
You sit in the shadows waiting for the light to fail
I always walk out in the evenings
The air so pure blessing the sulphor day
Of cracked images
With a cool cure
Of patient resurrections
Hold my arm my love
We`ll doff our caps to the swans
Curling their necks from the sun
Closing their wings
Trevor John Karsavin Potter.
(1) October 22nd. - December 1st. 2012. (2) November 15th. 2012. (3) July 1st. 1965.
Wednesday, 14 November 2012
First Love.
You come into my room
Feet silent
like falling
petals
The red leaf rests
at last
upon the lake
Next month the snow
Your smile expels the night
Cherry blossom in black rain
Two Larks in flight
Trevor John Karsavin Potter.
28th. - 29th. October 2012.
Feet silent
like falling
petals
The red leaf rests
at last
upon the lake
Next month the snow
Your smile expels the night
Cherry blossom in black rain
Two Larks in flight
Trevor John Karsavin Potter.
28th. - 29th. October 2012.
Tuesday, 13 November 2012
Betrayals and Redemption. (Revised).
Infidelity creates poetry, but don`t try it.
Love that is certain overcomes pain and treachery
But innocence is kinder, less wearing to the nerves,
And in no way corrosive.
We fuck ourselves up when we sleep around, so true
My Baby,
Must I remind you? No, not really, and I am not angry about
those other men,
Their expertise in the sack is of little concern to me,
Nor the bitter legacies they have scattered far behind them,
Like dropped newspaper cuttings on the sidewalk.-
I am just a little narked,
That is all;
Well, that is all that I can ever dare admit to.
I know that you have coveted them in some shallow, simple way,
Like the bling proffered by rich men on the make,.
But our love has always seemed much less provisional than that,
my lovely,
Or at least I hoped to think so.
& yet my behaviour has not always been so perfect ,
believe you me,
Accepting inferior offers when they just happened to catch my eye
Like off the shelf Lost Leaders.
But I have always only ever wanted you,
My only full term lover.
And so kiddo, perhaps we should now snuggle up and get our act together,
We have broken all the rules, but from now on, let us keep them
Inviolate and certain. We have never lived at peace without each other.
Trevor John Karsavin Potter.
13th. November 2012. - August 23rd. 2014.
When reading my poems it is important to know that my first love is Theatre..
Love that is certain overcomes pain and treachery
But innocence is kinder, less wearing to the nerves,
And in no way corrosive.
We fuck ourselves up when we sleep around, so true
My Baby,
Must I remind you? No, not really, and I am not angry about
those other men,
Their expertise in the sack is of little concern to me,
Nor the bitter legacies they have scattered far behind them,
Like dropped newspaper cuttings on the sidewalk.-
I am just a little narked,
That is all;
Well, that is all that I can ever dare admit to.
I know that you have coveted them in some shallow, simple way,
Like the bling proffered by rich men on the make,.
But our love has always seemed much less provisional than that,
my lovely,
Or at least I hoped to think so.
& yet my behaviour has not always been so perfect ,
believe you me,
Accepting inferior offers when they just happened to catch my eye
Like off the shelf Lost Leaders.
But I have always only ever wanted you,
My only full term lover.
And so kiddo, perhaps we should now snuggle up and get our act together,
We have broken all the rules, but from now on, let us keep them
Inviolate and certain. We have never lived at peace without each other.
Trevor John Karsavin Potter.
13th. November 2012. - August 23rd. 2014.
When reading my poems it is important to know that my first love is Theatre..
Homage to Karole Armitage.
Blonde dancer
Express with living sculpture
A clarity sublime
More cogent than simple messages
Sprayed on concrete balustrades
Of cramped hermetic tenements
Blonde dancer
Shape the energy
Of disorder into line
Re-defining warped conventions
Of outgrown ancient memory
Into modern metaphors -
Graffiti etched in time
Sharp schemes
That refine the grace of nature
Expressed by Watteau`s Lover
Into fluid caustic rhyme
More cogent than simple slogans
Daubed on concrete balustrades
Of cramped hermetic tenements
Graffiti shaped by mime
Blonde dancer
From urban squalor
Retrieve the classic line
Trevor John Karsavin Potter.
25th. November 1985 - 7th. November 2003. .
Express with living sculpture
A clarity sublime
More cogent than simple messages
Sprayed on concrete balustrades
Of cramped hermetic tenements
Blonde dancer
Shape the energy
Of disorder into line
Re-defining warped conventions
Of outgrown ancient memory
Into modern metaphors -
Graffiti etched in time
Sharp schemes
That refine the grace of nature
Expressed by Watteau`s Lover
Into fluid caustic rhyme
More cogent than simple slogans
Daubed on concrete balustrades
Of cramped hermetic tenements
Graffiti shaped by mime
Blonde dancer
From urban squalor
Retrieve the classic line
Trevor John Karsavin Potter.
25th. November 1985 - 7th. November 2003. .
Thursday, 8 November 2012
Loss in November.
1.
White sunlight slanting
Through cracks in the door
Late roses in bloom
Blind
The old men shuffle
On sticks and stones
Rag Dolls in the wind
tottering falling
Prisoners to fortune
All bones broken
Carcinogenesis
Red leaves
humped high
On smoking cones
By laughing children
Eyes bright and clear
Tinged with malice
2.
Now listen
I sit by the door
consulting a void
Glass smashed
on the carpet
Old photographs
faded
The song of your voice
Lost from the hallway
Without you here
The autumn is hateful
A shadow of ash
Smeared on a window
It is five years today
Since we burnt our letters
And you walked through that door
Alone
A touch of your lipstick
Traced on the mirror
Trevor John Karsavin Potter
November 7th. - 10th. 2012.;
White sunlight slanting
Through cracks in the door
Late roses in bloom
Blind
The old men shuffle
On sticks and stones
Rag Dolls in the wind
tottering falling
Prisoners to fortune
All bones broken
Carcinogenesis
Red leaves
humped high
On smoking cones
By laughing children
Eyes bright and clear
Tinged with malice
2.
Now listen
I sit by the door
consulting a void
Glass smashed
on the carpet
Old photographs
faded
The song of your voice
Lost from the hallway
Without you here
The autumn is hateful
A shadow of ash
Smeared on a window
It is five years today
Since we burnt our letters
And you walked through that door
Alone
A touch of your lipstick
Traced on the mirror
Trevor John Karsavin Potter
November 7th. - 10th. 2012.;
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