(1) August 30th. 2013.(2) Late May Morning.(3) Farewell. (4). Repost.

                1.

    August 30th. 2013.

Today all Ireland is weeping
But, as usual,
               No one is listening.


Goodnight sweet Prince,
True memory cannot invoke you,
Silence now claims it`s due.


Your poems are rough hewn
                               monuments
Slowly remade by the weather.


We must not, for any reason, be afraid.


Trevor John Karsavin Potter. 
August 31st. 2013.
Last line added September 4th. 2013.
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                 2.

Late May Morning.

Translucent leaves
Green glass on black boughs
Absorbing the sun
Exposing the bones of the world

Trevor John Karsavin Potter.
May 31st. 2013.
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                  3

            Farewell.

Ending quietly
A small leaf dropped
On a moonlit pond
Causing no ripples

Trevor John Karsavin Potter.
June 11th. 2013. 
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                  4.

            Reposte.

My ex wife snarled
"Mujak"
as I cleared the household rubbish.
But she never danced a single night
with Karsavina,
And she could not dig up cabbages.

Trevor John Karsavin Potter.
September 3rd. 2013. 

The Rose

The Rose of all our hopes
Lies deep in Southwark mud
A hostage
A smothered dream
Crushed
              But not forsaken

I lift it from the mud
Just like a broken keepsake
And offer it to you
A gift of love
A token

Please take it from my hand
And plant it in your Heart
Your living garden

There is life locked in these roots
This gnarled and broken stem
Old life we still can honour
Care for
              Cherish

So please accept this gift
This sacred bond that links
Historic generations -
The Britons with the Greeks -
The Renaissance with the Modern

Please take it from my hand
To nurture in your Heart
That it may prosper
Flourish

Grow tall
And once more blossom


Trevor John Karsavin Potter.
19th. - 31st. August 2013.
For my friends at The Rose Theatre, Bankside.

(1) To J M the D T`s. (2) Fatal Secrets.

               1.

To J M the D T`s, ie, Victimized by a Fashion Queen.

Blue hair,
Those orange eyes
Tigerish, Open;
Curving lips seethe through the suburbs
Like Smoke.


Jack Frost
Supersedes Not
Your Sharpness: Nor can
Quick ore burn deeper than your

Silences.


You turn,
I follow. You glance
Hypnotic Curses through me
Making ME perform YOUR Measures,
Spin                          Until I fall.


But soon
The strings will SNAP
Beneath YOUR Fingers,
Jangling notes in your brain`s
Museum:

Then I`ll DANCE..................


Trevor John Karsavin Potter.
March 14th. 1968. Slightly revised January 8th. 1973.  

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                2.

      Fatal Secrets.

Consigned to anonymity
The skeleton of King Richard the Third -
A wrecked oak lying in the undergrowth
The top hacked through by a crude axe
Branches snagged
Caught in the foetid marsh
The last leaf fallen

Even now
The final question has not been ventured -
The most important information
Lodged in the Mortician`s Pending Tray
His little black box -
We need to know what happened in The Tower
That sultry summer evening
But so far no one has blabbed

Leaning forward to stare into the vortex
The heroic patience of the Archaeologists
Certainly impresses
Keeps us on our toes -
But the harsh light of forensic technology
Has yet to guide us closer to the truth
Or laser open an unexpected clue

Crouched beside the tangled hedgerow
That masks the ruined oak tree
I watch a single Kestrel swoop and glide
High above the edge of Bosworth Field -
No other signs of life disrupt the landscape
Irk the mist drenched morning
Except perhaps a slight breeze smudged by woodsmoke
Nudging some nearby thorns


Trevor John Karsavin Potter 
12th. - 13th. August 2013.

Anne. (Revised Version).

                       1

Anne,
These photographs do you no justice,
They are the evidence for the prosecution
With no defence allowed.
A scribble of black and white lies
Disrupting a blank surface.
They mock you with their lack of colour,
Lack of life.
They are the smoke that rises out of dry ice;
Ashes cold and brittle.

                       2

There is no sense of you permitted.
No tangible presence. No true Anne
Revealed, printed on this yellowing paper
Designed to fade, to fall apart, become dust.
One Album hoarding a lifetime in snapshots,
Each image besmirched with a layer of gloss
Now split and cracked like a shattered window.

                        3

Your truth is not locked in this Photograph Album,
Entombed in implacable black and white.
Not the dance of your eyes; not your voice;
Not the raw young fire of your body;
That catastrophe known as your mind.
These photographs fabricate uncertain epitaphs,
Simplistic memos chalked on a slate.

                         4

Your kisses tasted of Gauloises,
And sometimes of whiskey and gin.
Your laugh leaped out of the darkness
Scorching the East London night.
Your fingers danced in my open hand
Like a troupe of feral Gypsies.
You teased me with your poetry,
Cracking down on my conventional dreams.

                         5

Anne,        You fracked the mould;
Hijacked my heart;
Kick started my gung - ho high life;
Showed me the ways of the world.

These prints do not compliment memory,
They can only make certain      my grief.


Trevor John Karsavin Potter.
5th. - 6th. - 13th. - 14th.- 31st.  August 2013.
(Dedicated to A S, my long lost friend).

(1) Moon. (2) The Pianist. (Revised Version).

                1.

            Moon.

The Moon and I are pals.
She rests in the branches of my apple tree
Like a white fruit;
An Arctic Owl,
Her hooded eyes the texture of raw shale,
Her smile a curved shadow,
Her laugh is silent.

In her presence I keep no secret.
My transgression starkly exposed
Under the spotlight.
The surgeon`s hatchet honed.
I have sensed her forensic gaze skewer me as I sleep;
Slicing into my dream world
Like twin diamond points
Polished to kill.
But she commits no murder this time,
She is merely a cool observer,
A non judgemental spy. -
My lover watches the Moon for half the night,
But she is not an expert astronomer.

I have been a rover more years than I dare remember;
Living from moment to moment,
From hour to hour;
Grasping unlikely luck with both strong hands.
The Moon, as ever, the only reliable witness,
Impaled in the old apple tree,
Unable to alter her view point;
Unable to find her tongue.


Trevor John Karsavin Potter.
July 12th. - 28th. - 29th. 2013.
Opening two lines only, September 1971.

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                2.

       The Pianist. (Revised Version).

You play every note right
But do not touch my heart

The soul lives in the gaps
Between the plunging octaves

Haunts the empty spaces
The sudden depths of silence

You play every note right
But never get the point

The beauty of life is found within
our everyday               mistakes

So please pack up the sheet music
Before you come to bed

You have played every note right
Staccato rhythms knock me dead

But if truth were told Miss Horowitz
Your style is a touch too smart

I had rather get you in the raw
Than refined by Liszt and Bach


Trevor John Karsavin Potter.
August 2nd. - 3rd. - 4th.  2013.
April 23rd. 2015.

(1) The Destruction of a Simple Man. (2) Stages of Cruelty.

                        1.

The Destruction of a Simple Man.


The empty space on the Gallery wall;
A hole in the heart;

A world of tears.

The thief was a pyromaniac;
He danced in fire.
His need to burn the painting
Killed the artist
With the strike of a single match.

The kidnapped painting,
Cut out, transported,
Pressed flat inside a suitcase
Half a year,
Suddenly revealed to the midday sun
A new darkness, a pile of ash;
A lost child;
A question mark
Scratched on the wall of time.

(The suitcase was preserved,
                     even cherished,
For the thief it had some purpose,
                     some meaning;
It could be used until worn out
Like a raincoat, a pair of sturdy Brogues). 

It should be noted
The thief was a practical man,
His priorities simple;
Not to be caught in the act;
Not to face The Beak;
Not to go down for decades.
Self preservation his only mantra,
His hour had not yet come.

He could not sell the painting
But he had to save his skin,
Preserve his aching joints.

Even Hitler knew much better:
He razed the Cathedral at Coventry
To clarify one or two points;

The eradication of rock hard history;
The nihilism of naked power.


Trevor John Karsavin Potter.
May 30th. - 31st. - June 1st. - July 16th. - September 3rd. 2013. 

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                       2.

Stages of Cruelty.


Under the cats paw
The grey mouse shrieks

Under the Vets needle
Moggy falls asleep


Trevor John Karsavin Potter.
July 2nd. 2013.

(1).Pastoral. (2). The Kill.

              1.

        Pastoral.

The rabbit listens, and
Hearing no sharp sounds,
No thrashings in air,
Moves deftly, swiftly
With no trick, no fear,
Into the wind flecked lace
Of the meadow;



He savours the cold spring morning;

The sobs of the streams are music to his ears;

His leaps and runs barely shake the grasses.



Suddenly he stops, half startled,
Alert, but not yet afraid.
He sits stock still, a grey stone;
His heart now fiercely racing,
His dark eyes fixed, intent.



The distant farmhouse seems to be asleep.

The distant lane dips empty between trees.

The distant sheep bunch silent in their field.



Poised in the mouth of the wind
On wings as still as ice
The fierce hawk hangs.


Trevor John Karsavin Potter.
February 7th. 1967. - January 13th. 1972. - July 8th. 2013.

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               2. 

          The Kill.

Deep in the moonlit valley
All life is hushed;
Nothing stirs, nothing wakens,
Only the quiet breathing
Of the wind.

Like a scalpel a rodent`s cry
Rips open the womb of night.-
Wing beats thrusting upward
Crush the wild sound.

Scratched on air a living shadow
The young hawk soars
Riding the breath of the wind:-
For a moment the wood is alive
With a hundred thousand voices
Shrieking alarm.

A dark shape cuts the pocked face
Of the dumb cold moon
Then drops out of sight........

For a time the danger has passed.

The panic subsides.

Slowly the raw wound closes.


Trevor John karsavin Potter.
June 4th. 1974. - June 27th. - July 8th.  2013.