Thursday 23 December 2021

Rapunzel Reads the I Ching.


That girl who threw a fistful of square white stones
Every morning early
To read the I Ching before her aunt awoke,
Demanding toast with honey as she checked the morning headlines.
Demanding a weekly Beano sent up on a silver platter.
When did she last throw that handful of old stones,
And what pattern did they make where they fell
On the threadbare carpet in her small bedroom?
Did they prophecy love or a sudden early demise?

It seems she abruptly ceased to socialize,
Keeping the one door locked - pulling down the blinds -
Living off junk food delivered after dark
By a strange stooped man with a limp and a single eye,
A sort of Rumplestiltskin lookalike
Who spied for her aunt while serving up the pies.
The aunt, some say, eats little girls and boys,
That`s why Rapunzel had bolted all the doors.

It is said each night she let her hair hang down
In golden shreds out of her first floor window
To be climbed by a lover smart enough for the task.
A teen aged princeling? - A Rock God in pink loafers? -
A roofer light on his feet?
But I treat these tales as hearsay, ridiculous tittle - tattle,
Fake news that has tumbled twice around the stars
Before burning up attempting a clean reentry.

The rumour is that she has had a baby,
A big plump boy with lots of golden curls
And a cheeky smile wide as the Firth of Forth.
Single mums are not uncommon in her family. -
But her lesbian aunt would certainly not approve,
That is if Rumplestiltskin spilled the beans.
And now I hear she has scarpered from the tower,
Run off with her lover, whoever he might be,
Deep into the forest late at night.

What is certain is that her aunt was taken into custody
A day or two back. Something about the contents of her pies
And the lifelike appearance of her gingerbread men.
Also a bag full of golden hair was found in the kitchen,
Alongside a babies rattle and a pair of pink loafers.
And it turns out that Rumplestiltskin was working for the Yard.
And so we now must await the court appearance
To discover who told the truth,- and who told lies. 

Trevor John Karsavin Potter. 23rd. -  30th. December 2021.- May 28th. 2024.

Thursday 16 December 2021

Solstice Nativity.(Newly Completed Version).

The daylight is too subtle at this time of year.
I prefer bright colours -  Odilon Redon on speed
Cutting to the heart of the matter
With the prism blade of his art.

Jesus is the god of sunlight,
He exists in the colours of the rainbow - the song of the Lark
Soaring into an intensity of blue
That almost blinds us as we look due east.

The Wise Men came from the east,
Following a star to find a child in a stable - a baby in rags
Sleeping among horses and cattle,
An innocent among the most innocent of creatures,

A small bundle of love and rainbow light
Born without language, just a scream of pain
When he cries to his mother out of the depths of hunger
In the cruel dark chill of winter.


Trevor John Karsavin Potter.
16th. December 2021. 
9th. January 2022.

Sunday 12 December 2021

Trevor J Potter's Art: Kernow. (Corrected Poem).

Trevor J Potter's Art: Kernow. (Corrected Poem).: Away too long But Cornwall now forgives my years of absence, Welcomes me back to trek her cliffs and moors, But bars my entrance into hig...

Trevor J Potter's Art: Monday Afternoon by the Welsh Harp. (Rewritten).

Trevor J Potter's Art: Monday Afternoon by the Welsh Harp. (Rewritten).: Making love in the park was not a good idea However romantic the notion may have seemed Before we put the idea into practice. The mild ...

Friday 3 December 2021

The Taiko (Drum) Bridge, Winter. (Revised).

This is how the year ends,
This is how hopes fall apart.

Thin black lines scratched on white paper
Indicate a bridge, a hill, a forest,
A village deep in snow.
No smoke rises above the steep white roofs
That seem to grow straight up from the frozen earth
Like plants left out for the winter.
The walls of the houses are hidden beneath the
                                                                   roofs,
And not one door or window can be spied.

The cold feet of the weary travellers
Have not been sketched, or even indicated
By the quick hand of the 19th. century artist
Who often worked with one eye on the clock.
He was concerned that drifts were deep that year,
And getting prints out to his rural punters
Was not be an easy task.
The transport system was somewhat rudimentary.

The travellers trudge towards the snowbound village
Neatly built behind a pale red fence,
On a bend of the mountain road,
A road not wide enough for laden horses.
This fence, it seems, is the only dash of colour
The artist splashed on an almost monochrome scene, -
Monochrome, that is, apart from the lifeless river
Reflecting exactly the blueness of the sky.

No traveller has a companion to converse with,
It seems every man is left to fend for himself
In the infinite solitudes
Of this desolate road that climbs the frozen heights,
But this is how an old year generally ends,
On a lonely day when Hope is clad in tatters.


Trevor John Karsavin Potter.
December 2nd. - 3rd. 2021.

Hiroshige print illustrating December on my 2021 Calendar.

Monday 29 November 2021

Saturday 27 November 2021

The Forest Knight. - A Winter Parable. (Newly Completed Poem).


A strange flower from the sleeping forest.



Deep in sleep I am often a child
Observing through mirrors alternative worlds.

I see the Green Knight transform into a tree,
He dies into the beauty of Autumnal forests
As he dreams alone 
Through the long cold nights
Of glittering frosts and frozen rivers.

The mistletoe ascending his new grown branches,
Weighs lighter than the leather reins
He once used to master his armour clad horses
As he forced them ruthlessly into battle
Through arrow storms that hid the sun.

But sudden wounds felled him when trees grew wise
And dragged him to earth as he rode between them
Planning to fight wars in ancient groves
Sacred to the hares and foxes.

Sacred to his hawks and horses
That roamed free once his grip was broken. 


Trevor John Karsavin Potter.
27th. - 28th. - 30th. November 2021