Saturday, 8 August 2020

Wednesday, 5 August 2020

Lock down Lyrics.


No more are people flesh and blood,
Skin and bone,
They are a shout through the letter box,
A whisper down the telephone.

A friend is a face on the lap top screen.

My love is a phantom in my bed when
                                                  I dream.

Masked strangers pass my window by
But seldom look me in the eye,
They concentrate long empty stares
At the gutter or the sky,
And so like bandits in a film
They silently pass by;

A silent film I witnessed, in the flea pit, long
                                                                   ago,
My lover nestled in my arms as we snogged
                                                in the back row.

But now, because of covid,
We are those spectres on the screen
Projected through a camera lens,
The cameraman unseen.

No more are people flesh and blood,
Skin and bone,
Afraid of life we skulk indoors,
And haunt the telephone.


Trevor John Karsavin Potter.
August 5th. 2020.

Monday, 3 August 2020

Trevor J Potter's Art: The Raw Coffee Bean.(Revised)

Trevor J Potter's Art: The Raw Coffee Bean.(Revised): Last night I chewed on a coffee bean, Crunching it between my front teeth Until the flavours oozed out                                  ...

Friday, 31 July 2020

The Raw Coffee Bean.(Revised Ending)


Last night I chewed on a coffee bean,
Crunching it between my front teeth
Until the flavours oozed out
                                   Dark and bitter
Blood of Brazilian berries.

A raw sub tropical coffee bean
                   Crushed into fine powder
Sharp as an uncooked lemon,
              A bee sting on my tongue tip
Hot with pain and pleasure.

The coffee bean was fragile,
                       But a bee is also fragile
When she fires her single sting
                      Into the eloquent tongue
Of her betrayer.
The sting cuts deep a sore that cannot heal.

And so again last night,
          The bitter tang that burnt my lips,
                                       my taste buds,
Scorched right through a scar that sealed
                                            a memory
From the caustic light.

And suddenly her face is not in shadow,
And suddenly
        That girl in the Mexican courtyard
Looks back at me from half my life ago.

An astonishing girl I betrayed because I
                                                feared her.

I did not believe her when she talked of
                                                 marriage.
I did not want her kiss upon my mouth.
She tasted of Russian cigarettes and coffee,
And secret Mayan dreams I could not fathom.

I did not believe her when she stroked my
                                                  forehead
With fingers long and supple, soft with
                                                          care;
And so I betrayed her curtly with a laugh,
                     A jaunty, off hand English laugh.
I cannot now recall her name.


Trevor John Karsavin Potter.
July 29th. - 30th.- August. 3rd. 2020. - August 28th. 2021.

Tuesday, 28 July 2020

Trevor J Potter's Art: Fernweh. (New Revision).

Trevor J Potter's Art: Fernweh. (New Revision).: I have never yet found my true home, I have always only been                                        "on Location", A displaced...

Friday, 24 July 2020

Fox Cut. (Revised).


A cat rubbing her back seductively
Against the pliant - plaintive music -
The slow - dead beat - tear choked - heart stopped -
love warped music
Of an old time saxophone played on a cold street corner
In an old time town by a lacrimose rain drenched loner
Wearing a blue - black raincoat and a grey fedora,
A cigarette butt in his ear.

This is the Fox Cut.

This is the moment of unseen truth
for the on screen lovers
in the back of a Buick
or way upstairs in a curtained bedroom
with the lights turned low
and the latch pressed down on the apartment door.

This is the moment I could kill that cat
And drown the saxophonist in an oil drum of whiskey
And trample his saxophone on the cinema floor
Before walking out in a hurry.

I don`t care if the film is eighty years old.
I don`t care if the film is a Hollywood classic.
I hate to be cheated of the moment of truth.
I want a lay - not a lie - for my money.

The cat rubs her back with seductive slyness
Against the waft and the weft of the wintry music;
A Freudian dream swap that blocks us from spying
The flagrant anarchy of new love.


Trevor John Karsavin Potter.
July 24th. - 25th. 2020.

Tuesday, 21 July 2020

Weeds and Butterflies.


My two small gardens are full of butterflies,
I have let the weeds grow
To give them a world to thrive in,
Two miniature jungles my neighbours nag me
                                                               to tidy,
Especially the postman who gets tangled in my
                                                          Hydrangea
Whenever he delivers parcels this time of year.
Sorry postman, my gardens are made for flowers,
For weeds and bees and butterflies,
Not for the likes and dislikes of busy humans
Keeping to man made schedules the natural world
                                                                   disdains.
Insects will probably out live the human species,
As will the plants most people find distasteful,
But I must admit, I have planted some ornamental
                                                                        roses,
To add a semblance of order
To my two wild jungles, my miniature nature reserves.
When I pack my bags and move to another country -
To Italy or Mexico or France -
I expect the new occupants of this corner house
Will pour grey concrete over both my gardens
To park their cars or build a glass extension,
But then most people are blind to small wild things;
What is fine in Nature books is not fine in their
                                                                 back yards.


Trevor John Karsavin Potter.
July 20th. 2020.
Typed while listening to the re-broadcast of the first performance of The Protecting Veil.

Winter Night.